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Sin permiso

Christian Quiceno

Colombia

2017

Screws, paints, crystal ball, tread, resin, silver, circuits, cement, acrylic

I want to problematize the ephemeral and the format of the graffiti but also its immobility, which leads me to the idea of developing an extract of a portable city, a materialization of my ideas that remain as an anchor of identity in who exhibit this work.
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